Before I begin please read the title of this article again. Go ahead, I’ll wait.
That’s right, nowhere in that silly string of words does it say that these are the “only” shows you should be watching or that these are the “best” shows ever made, so please don’t get your panties all wadded up your arsehole (yeah, arsehole) if I don’t mention your favorite show. I don’t care about half the sh*t on television these days for lack of time and I only use my DVR to record shows that are of particular interest to me based off of a reliable recommendation or previous experience with the show in question. While I would love to receive more recommendations from you, my intelligent readers, chances are that I’ve heard of half the shows you’re going to say and I probably won’t care. So, if you think you’ve got something I may be interested in then pass it on, otherwise, keeps your shouts of “Grey’s Anatomy” and “General Hospital” to a dull tone because I’ve obviously been aware of them for some time and I think they’re lame at best. And on that note, let us begin…
The first show you should set your TIVO to record is Sons of Anarchy. Some of you may never have heard of this show and that’s okay — daddy’s here to learn you good. The show was created by Kurt Sutter, husband to Katey Sagal (Peggy Bundy, Lila from Futurama, and Mrs. Morrow on SOA) and tells the story of a motorcycle club in the fictional Northern California town of Charming. Jax, (Charlie Hunnam) the protagonist, is the vice president of the club and begins to doubt the direction the club is heading under the leadership of his step-father, Clay Morrow (given life by the great Ron Perlman).

Season one is already over, but it’s out on DVD and should be purchased by anyone with a taste for badassery, hotchickacauccas, or motorcyclitus. SAMCRO (an acronym for Sons of Anarchy Motorcycle Club, Redwood Original) traffics guns to a pair of rival city gangs outside of Charming for income, though they all hold down “day jobs” to keep the law they haven’t bought off their backs. They have also sworn to keep meth out of their humble little town, which puts them at odds with the local white supremacists, the NORDs. I’m not going to ruin the whole thing for you, but sh*t gets nutty… Beatings commence, rivalries erupt, a horny TFA agent molests local law, the lovely Maggie Siff exists, Drea de Mateo is flaunts both her acting and her body, and all of this led by the previously mentioned creator’s wife, Katey Sagal and her gigantic, enormous, lovely-to-look-at, uh… talents.

It doesn’t hurt to watch her. Not at all…
Season two is a few episodes in and so far, so good. The whole crew is back and Jax is still up to his neck in bullsh*t: Clay is getting fed up with Jax’s desire to be a more peaceful illegal gun running operation, SAMCRO just adopted a porn company (yeah, that’s right), Mrs. Morrow (Jax’s mother) was raped, and all this at the hands of some new white-loving residents to Charming, Mr. Etan Zobelle and his enforcer A.J. Weston (played by Henry “I’m-never-not-angry” Rollins).
The true excellence in this show does not lie in their ability to throw violence, naked women and awesom motorcycles at the audience each week (though it doesn’t hurt), but the genuine way in which it is done. The characters feel real. The situations unfold naturally. Characters are established, situations present themselves, and then shit blows up in a fashion that seems to defy television law. For instance, at the end of season one, a particular series of events caused one of the most tragic deaths I have ever seen on screen. It never felt forced, the whole progression made sense, but by the time I realized where it was going it was too late — I was emotionally invested and my heart dropped as the tragedy flashed before my eyes completely unrepentant.
And there are boobs.
Next on the list is Community. The comedy was most recently sent to viewers among a barrage of Office-like imitators, creating a refreshing reminder that mockumentary is not the only way to be funny. The plot is simple: a sweet-talking lawyer named Jeff Winger has his college degree revoked by the board and must attend community college to finish up the necessary credits to get back to his life. The twist? This community college is filled with hilarious stereotypes and laugh-out-loud moments all perpetuated by the socially awkward cohorts Winger has assembled unwillingly in an attempt to bed and spread Britta (the eye-candy played by Gillian Jacobs).

To enhance the already hilarious performance from Talk Soup escapee Joel McHale, the producers threw a ton of well-known and not-so-well-known talent including: Chevy Chase, Ken Jeong , John Oliver, Danny Pudi, Yvette Nicole Brown, Donald Glover and Allison Brie. Most of us may know Chevy Chase and of late, Mr. Ken Jeong from everything Judd Apatow, but the true stand out in this lineup is Danny Pudi. Pudi plays a character named Abed, the only person in the group who doesn’t seem to mind that he’s at a community college and spends most of his time wearing a blank face, throwing out brutal honesty as a result of his Asperger’s Syndrome.

Never have I envied Mickey as much as now.
Is it the greatest comedy ever? No. It has moments of unfunny that make me wish hilarity could avoid plot lines on television, but overall it is a guaranteed 30 minutes of fun each and every week. Everybody is given a chance to be funny and for the most part, they all deliver. And don’t leave until after the credits or you may miss some of the greatness…

Finally we pay homage to what is, in my opinion, the greatest show on television at this point: FRINGE.

If you don’t know about Fringe then you are probably don’t own a television, or you use it strictly for porn or videogames. I’m not going to go into details about the shows plot or characters, suffice to say that J.J. Abrams doing X-Files with a LOST like continuity is a blessing to all things entertaining. Everything about this show is awesome… The cases meld with fringe-science giving equal parts fiction and fact to further arouse our nerd-boners; the cast is superb enough to make me buy all of the Mighty Duck films if only to support Joshua Jackson; and the mystery/violence/comedy is all given equal doses mixing into an hour of geeky goodness.
Anna Torv does quite well as a leading lady, especially since she has to use an American accent every week (though that in and of itself is a shame because Austrailian accents are a ten on the you’re-f*cking-sexy scale). Joshua Jackson pulls off the leading man role much better than I had anticipated, walking the line between mysterious-smart and funny-badass with ease. And the Emmy-overlooked John Noble is nothing but brilliant as Dr. Bishop, the quirky, insane and often child-like motor for everything in Fringe’s world.

Now say, “Tha’s notta knife…”
Each episode is pretty similar: Impossible situation explained in somewhat reasonable terms over the next hour until you actually believe it to be possible. It’s a formula that works, as proven by Fringe’s predecessor The X-Files. I’ve heard the two shows compared over and over with fans for the X-Files screaming “ripoff” and fans of Fringe crying out “original,” but I’m afraid I have to disagree with both sides… On the one hand, it would be utterly ridiculous to say Fringe writers have thoughts unmolested by the X-Files. X-Files was too big, too succesful to not be present in the minds of anybody with a television for the last twenty years. Even if the writers try to write in a way to avoid X-Files comparison, they are still being influenced. Now, on the flip side, Mulder and Skully had a very specific dynamic: one was a skeptic and the other a believer in all things supernatural. And X-Files didn’t try to explain everything, instead, they just showed the audience that the unbelievable was in fact happening and left it up to the audience to try and figure out how. Fringe is a team of middle-walkers, people who neither believe full-fledged, nor deny wholeheartedly the existence of unlikely events. In Fringe our heroes accept what is happening and then use science to figure out how to understand it as best as possible. Is one better than the other? I dunno… I’m partial to Fringe, but I’d be hard pressed to argue with a die hard X-File fan the greater nature of either. The bottom line is this: Fringe is on and I’m enjoying it.

Damn you all.
In closing I’m sure that some of you may think I’ve gone a littl soft this week and haven’t really complained about anything, so here’s your moment of rant: I know I’ve already bashed Heroes once this year, but I’ve been (unfortunately) watching, hoping, waiting for the show to get good and it has done the unthinkable; Heroes has gotten worse. Sylar doesn’t know Sylar — lame. Peter Petrelli is nothing but an ambulance driver. Claire is in a sorority — boring. Hero is sick, a carnie villain isn’t threatening in the least and Matt Parkman has gone completely and totally bitch. Heroes is like a beautiful woman with a tight premise, supple characters and a nice, round potential — but the crazy b*tch keeps puking on herself! All she does all day is stick her finger in her butt, smell is and wipe her face leaving a streak across her brow. Then she throws up on her chest, rubs it all over her body and blows snot out her nose while laughing, snorting and growling uncontrollably. The potential is there, but she keeps f*cking herself up!! Somebody please put this b*tch out of her misery.
Until next time,
Mr. Wolff.