Posts Tagged ‘Daredevil’

Trick or Treat!

Friday, October 30th, 2009
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LOLLIPOPS!

Greetings folks!

Happy Halloween eve, also known as the last day to find a costume before clothespins, towels, and paper bags constitute a superhero outfit. Now, as we all know, Halloween is great for one single, solitary reason. trick-or-treating. Sure, you could look back into antiquity and glean the reasoning behind Halloween, but none of those old traditions involved fun-sized Snickers bars, so whats the point?

Ah, trick-or-treating, the beautiful practice of begging in disguise. As a child I recall hoping that I would get more treats (Butterfingers and Skittles) than tricks (strychnine-laced Milky Ways, or even worse, smarties) . It is with the glorious convention of trick-or-treating in mind that I offer up your current blog. We have all read a comic book, expecting very little and being treated to a pleasant surprise. On the flip-side, we have all been looking forward to a book, only to be tricked by the hype, and received a 22 page crap-fest. The following is a list of a few tricks and treats from my funny-book reading youth that I would like to share with you all. Enjoy!

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The Authority demand peanut butter cups! NOW!

TREAT: The Authority– In 1999, Wildstorm launched the Authority. All I knew was that Warren Ellis had written STORMWATCH, which had sucked, and Bryan Hitch had drawn a rather crappy rendition of the X-men a few years earlier in X-MEN PRIME. I was expecting the book to be “meh” at best, but there was a woman in it who appeared to be naked under a thin layer of liquid metal, so I gave it a shot. Boy, did I make the right decision. The book was filled with sardonic wit and wide-screen action. There were heroin-addict superheroes, man-on-man love superheroes, mean English superheroes, and most importantly, almost-naked-but-for-a-thin-layer-of-liquid-metal superheroes. This book was truly an unexpected treat.

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The Ultimates race towards an impending sugar coma.

TRICK: Joe Mad on  The Ultimates 3– I loved Joe Mad’s X-men in the mid-nineties. He single-handedly kept me interested in the X-franchise, heck, he even made Maggot look cool. MAGGOT! So, when Marvel announced that Joey M would be drawing the third chapter of THE ULTIMATES, I got all geeked out. I mean, Maduriera makes everything look cool, for example:

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Like Beevis, this man demands TP for his, um, weird light thingie? Never Mind.

This had “slam dunk” written all over it. But then, issue #1 came out, and tears set in. Joe’s art had gotten, well, mushy. The figures, always exaggerated, had become distended-looking and sad. Whoever colored the art, didn’t do Joe Mad any favors either. This was a trick par suck-u-lance.

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Under his cape, Stryfe is hiding a cornucopia of charms blow-pops.

TREAT: X-cutioners song– There was a time when Marvel put together a X-crossover just about every year, and it was getting old. Inferno was lacking. Fall of the Mutants was anti-climactic. Extinction Agenda had a bunch of men in happy-face robo-suits. Then came X-cutioner’s song. I was expecting yet another sad excuse to get everyone with an X on their clothes together, but what I got was so much more.The pictures were glorious in every chapter, featuring art by Jae Lee, Greg Capullo, Andy Kubert, and Brandon Peterson. The story was engaging throughout, and actually tied up subplots that had been dangling about for years. This x-over was a true treat.

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Gummy Bears or else.

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The Midnighter fears for his dental health, while the engineer is transforming into a giant toothbrush.

TRICK: Grant Morrison coming to Wildstorm– When Wildstorm announced that Grant Morrison would be writing WildC.A.T.s and THE AUTHORITY, my heart skipped a beat. When it was announced that Jim Lee would be drawing the cats and Gene Ha would be working on The Authority, I started drooling. Both comics then released one issue and haven’t been seen or heard from since. The trick was on the fans.

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In Tranquility, every day is Halloween.

TREAT:Welcome to Tranquility– I picked this book up because of the writing of Gail Simone. The concept of a town full of old, retired, superfolks didn’t really appeal to me, but I figured I would give it a shot. What I got was a spectacular story, filled with fun characters, tongue-in-cheek jokes, and zombies. The art by Neil Googe was brilliant as well.

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I wanted to make a Halloween joke, but I have no idea what’s going on in this pannel.

TRICK: Steampunk– Joe Kelly was a writer on the rise. Chris Bachalo had been great for years. Steampunk is always a fun genre. Add the three together, and instant gold right? Wrong. Bachalo’s art was an overcrowded mess that took me right out of the story, which wan’t that great to begin with. Shame, guys, shame.

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For Mars Bars!

TREAT: Walter Simonson’s Thor– When I was in high school, I started trolling back-issue bins to augment my comic acumen. I came across an issue of THOR which featured a frog dressed up as the God of lightning, and figured, I’d give it a shot (after all, an encyclopedic knowledge of Norse mythology could only increase my popularity at High school). Little did I realize that I would be picking up one of the greatest comic book runs of all time. Walter Simonson was perfect in his time on THOR, providing a heavy dose of mythology, action, drama, and great art. Thank you Walter, for the soul Snickers.

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“My armor tastes like suck. Try it!”

TRICK: Onslaught– This big bad was build up for the better part of the year. Who was Onslaught? How was he so powerful? What was he planning? Onslaught was a mystery, wrapped in a riddle, coated in enigma. I wanted to meet this onslaught character, and watch him kick @$$. Then, Onslaught was revealed, in all his red and purple sadness. He wasn’t even a real person, just a bunch of stray Professor X thoughts. What a letdown.

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I want children, just so they can dress up as darklings for Halloween.

TREAT: Darkness– This is a book that seemed ripe to be over-hyped. I knew that Mark Silvestri made pretty pictures, and that Garth Ennis wrote disturbing and funny stories. I also knew that Top Cow stories tended to drift, letting the art keep people interested (see WITCHBLADE). So, while I expected to enjoy THE DARKNESS, my sights weren’t set too high. However, this book exceeded expectations on every level, and the story was even engaging (for a while, until Garth left). I have no problem admitting, I love me some darklings.

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Due to a lack of Mounds, Spidey gnaws on gravestones instead.

TRICK: Spider-man:Reign– I should start by saying that I actually enjoyed this book. Why, then, is it listed as a trick, you ask? The reason is the hype machine this book rode into town on. Kaare Andrew’s Spider-opus was supposed to be an answer to THE DARK KNIGHT RETURNS, but just wound up being a kinda forgettable spider-story. The art was Frank Miller-esque, but any time your main character kills his wife with irradiated sperm, the story is bound to be a disappointment. If someone had billed this story as “Crazy old Spider-man has poisonous sex, and theres a whole lot of Venom” this story could have been a treat.

That’s it for my tricks and treats, go out there and get those last minute costumes folks! Thanks for stopping in and have a safe and Happy Halloween.

Remember when…

Wednesday, August 12th, 2009

Greetings all!

I hope everyone enjoyed the latest installment of “Cinegasms”. I know that I said Wednesdays are going to be the home of Mr. Wolff’s “Hump Day Review” but I am afraid I am a bit of a liar. I have a very busy Thursday schedule for a little while, so Mr. Wolff was kind enough to move to Thursdays. Today I am going to try a new segment I am calling “Remember when…”

Today I wanted to take a look back in time to the magical year of 1998. A year when you spent more time in the airplane than in the airport. The year when Windows 98 debuted (duh) and Jesse “The Body” Ventura became Governor of the state of Minnesota. This was also the year that Marvel Comics unleashed it’s MARVEL KNIGHTS imprint. I could spend all day talking about ’98, but as I don’t have all day (and neither do you, I would imagine), I am going to focus on the MARVEL KNIGHTS imprint. “Why would you do that?” you might ask, well let me tell you: MARVEL KNIGHTS was a huge step forward in Marvel Comic’s evolution.

For those that don’t remember the comic book landscape in the late nineties (or those that choose to forget), it was a bleak and sad place. Sales were don everywhere. The product that was being produced, for the most part, sucked. Comics in general were in a bad place, but Marvel was especially hurting. Marvel had gone bankrupt a few years earlier, and a lot of their smaller titles had fallen by the wayside. The “Events” that Marvel had put together, were less event and more fiasco. “Oh, it wasn’t that bad” some might say, but I retort with this: THE CLONE SAGA. Not enough? How about ONSLAUGHT, or HEROES REBORN? Yes, Marvel was in a bad place and needed something. And “something” came in the form of Marvel Knights”.

It Hurts To Remember...

It Hurts To Remember…

This Was Supposed To Be Cool.

This Was Supposed To Be Cool.

Now, for big comic companies to have different imprints to appeal to different audiences was not an unheard of concept. DC comics had Vertigo (and still does), and Marvel had tried a variety of imprints as well, but all the Marvel imprints seemed to flop. Imprints like RAZORLINE, MARVEL 2099, and MALIBU were just unable to sustain themselves. Between the crud Marvel was putting out, and their spotty history with imprints, the deck was stacked against the MK line before it even started.

Malibu Comics, flying towards failure.

Malibu Comics, flying towards failure.

What helped Marvel with the MK line was the way that they approached it. While Marvel didn’t go VERTIGO status and make this a mature readers line, they did decide that the imprint would be more adult, so kids could still read, but grown-ups could enjoy as well. Second, and even more important, Marvel went outside of the company for help. Marvel went to a small comic company, Event Comics, and got two guys named Joe Quesada (who is now the editor-in-chief of Marvel) and Jimmy Palmiotti to find outsiders to give the MK line a new look. And for the most part, the MK line was a great success. The start of Marvel Knights was four titles, (two ongoing, and two mini-series) Daredevil (one of the comics that had been lost to sagging numbers), The Black Panther, The Inhumans, and The Punisher (who had just died).

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The Marvel Knights line was huge. It brought writers like Kevin Smith (the movie director), Christopher Priest, and Paul Jenkins from small press to big market. The same for artists like Jae Lee (who hadn’t been at Marvel in years), Bernie Wrightson, and Mark Texiera. The success of this imprint helped to put Marvel where it is today, and showed that sometimes what the big companies need is that independent flavor.

Thanks all for stopping in, see you tomorrow!

Mazzucchelli love

Thursday, July 30th, 2009

Happy almost Friday folks!

I am on a serious David Mazzucchelli kick. On a recommendation, I picked up DAREDEVIL: BORN AGAIN last week at the LCS, and it blew me away. 1980’s Frank Miller stories are all great, but Mazzuccheli’s art just blew me away. It was so good, i went back and found my old BATMAN: YEAR ONE comics, and reread them, just for a little more Mazzuccheli goodness. The man is just a great storyteller. He creates dynamic panel flow, never wasting page space with the superfluous. His fight sequences are crisp and easy to follow, with all the characters moving the way real people would. It isn’t the flashiest of art styles, but it is so solid, with clean composition and great use of blacks, that is spectacular in it’s non-flashiness. I looked into it and found that “The Mazz” has just released a brand new graphic novel titled ASTERIOS POLYP, which I am going to be picking up as soon as I can get my greedy little fingers on it. Here’s a few samples for you:

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On a more company related note, thanks to all of you who have already pre-ordered MYTHOI issue one. For those of you who have not yet done so, do it now! We are getting closer and closer to our first issue release in September, and I am getting more and more excited with every page I see. You guys are going to love it!

Well, thanks for stopping in, see you tomorrow!