Happy Sunday readers!

It’s that time of year again, folks. The time of year when the sun comes out to say hello, the leaves start returning to the trees and nerds enthusiasts of all shapes and sizes emerge from a winter in their basements with the latest in homemade costumes. That’s right it’s convention season. I have heard some conjecture as to when the season actually starts, but with big conventions like Emerald City Con, WonderCon, and C2E2 already having transpired, I think it’s safe to say the season is upon us. Working for Semantink, I get a chance to attend quite a few of these conventions. I have noticed that there are some constants (there are always exceptions of course) that make these events the great things that they are. With that in mind, I wanted to look at some of the things that I love about the convention scene:

The fans: Of course, a convention would be nothing without it’s attendees, and comic book conventions have the most diverse rosters of members anywhere. You have your casual fans, out to stroll through the back issue bins. You have your cosplayers (for better or worse) dressing up as everything from Skeletor to Supergirl and everything in between. You have the autograph hounds with their long boxes full of comics that need signatures. You have your aspiring talent, hoping to make connections and//or find a job. There are so many awesome, fun, and sometimes strange people at a comic book convention that it is hard not to get excited.

Artist Alley: I love to walk around the small (and large) press publisher booths as well, but for me, Artist Alley is where it is at. This is where you can go to meet some of your favorite comic book talent up close and personal. You can buy some of their work, or just get a sketch.  But the best part about Artist Alley is getting to meet the new artists that you have never heard of before. Folks like Lord Mesa or Ruben Martinez that haven’t become superstars yet, but whose art will just blow you away.

Panels: The great thing about panels at comic conventions is that they are so diverse. San Diego has a ton of movie and television panels every year. Long Beach had a wide variety of “breaking into the industry” panels. A.P.E. focused on the creators. Wizardworld had “how to draw” panels. Every convention has something fun to check out, and it is always different.

Comics: What would a a comic book convention be without comics. I was a fan of comic books before I worked in the industry, and there is nothing I like more than walking around looking for that rare copy of FLEX MENTALLO #1 or a SOLAR: MAN OF THE ATOM variant cover. And there are always awesome sales at conventions.

Now with the good we must take the bad as well. This is true of most things and convention season is no exception. Here are a few things that really drive me up the wall at conventions:

“Security”: Why do I have quotations around the word security? Because nothing these people do makes me feel secure. These people are often ill-informed or just flat clueless, and do nothing but hinder me from getting where I need to go. If you are ever lost at a convention, do not go talk to these people, as you will only wind up more lost, or at least more annoyed.

Celebrity signing areas: This doesn’t make me mad so much as sad.  These folks were popular once upon a time (mostly, sometimes these people were never popular) and have been reduced to sitting at a table for a weekend to sign autographs. Lou Ferrigno has been at every comic convention I have ever been to, and I am beginning to wonder if he has ever stayed at his house over the weekend. At Wizard World Anaheim, even Kato Kaelin was signing autographs. Kato? Really?

Comic conventions are wonderful things. If you have never been, I encourage you to go to at least one in your life. Even people that don’t like comics can have a good time. And if any of you are planning on attending the Phoenix comic con next month, drop me a line, as Semantink will be there too.

Thanks for joining me today folks, and remember, Comicopea will be moving to Thursdays from now on, and Sundays will be featuring works by some of the writers that we have here at Semantink. Thanks for stopping in, see you next week.

Salutations Semantinkerers!  This is Ben and James once again reporting from the first annual Long Beach Comic Convention!

Well, we expected Saturday to be a busier day than Friday, and it definitely was.  More Costumes.  More attendees.  More poor planning!  Wha– Huh?  That’s right.  I’m afraid that Saturday was a great deal less impressive then Friday, though I would still put the entire convention oodles (that’s right, “oodles”) above many others.

Apparently Japan has a different version of Star Wars.

I don’t know. Mr. Wolff wins.

Looks better than Nick Cage’s version.

Bad. Ass.

Here’s the deal:

Ben and I awoke with great zeal, excited to continue what started on Friday as a wonderful time.  We went to Ghettobux, wrote our blog, plotted out the various panels we would attend, and were heading back towards the Long Beach Convention Center by 10:30am.  The first thing we did upon our arrival was find the new artist-friends we made the day before.  First was Lord L Mesa, who had a throng of peoples awaiting his attention and still found the effort to give us a smile and warm greeting.  We gave Lord a copy of Mythoi and let him go back to doing his thing after a brief conversation.  On our way to the next drop-off, Ben ran into none other than the great Mark Waid!  Ben seized opportunity and chirped a bit about the book in Mr. Waid’s ear and he asked if he could have a copy (of course, we gave it to him)!  Geeking off of that encounter, we made our way to Joel Gomez who opened Mythoi without hesitation and gave some instant (and appreciated) constructive criticism.  Finally, we dropped the last freebie issue off to the mighty Doug Mahnke, who had no time to open or look at the book but asked to get back to us soon.  It may sound small, but as an independent writer/artist who grew up reading these guys, it means the world to Ben and I to have these guys read our stuff.  It’s an honor.  Really.

Well, with our hearts all aflutter we trudged around the rest of the convention floor which was much, much fuller of freaks, geeks and other forms of fandom than the day before.  We killed some time perusing various booths (taking notes for one of our own some day…) and then followed the wall of celebrities off the floor to the panel rooms above.  This is when things when sour(ish)…

The first panel we went to was the writer’s panel, presented by Aspen.  In the program it says that Jeph Loeb, David Wohl, JT Krull, Scott Lobdell, and Jimmy Palmiotti.  Unfortunately, only the first three showed up (still an honor for fans like us).  Apparently Mr. Lobdell has Swine Flu and Mr. Palmiotti was called to another panel.  Ben and I were understanding and shrugged it off — the might that did show up was still beyond worthy of our attention.  The panel was excellent.  As a writer I took notes as these masters delivered various tips and tricks to the audience.  This was the best panel and earned an “A” for the day.

Writers = “Directors”

Ben and I grabbed lunch at Island’s across the street (try the new chicken sandwich with fried onions — awesome) before making our way to the next panel of the day: editing in comics.  Promoted to be speaking in this panel were Matt Gagnon, Rob Levin, Scott Dunbier, and Matt Hawkins.  Dunbier no showed for one reason or another, and Hawkins was replaced by another Top Cow editor whose name escapes us at the moment, but was awesome and informative.  Once again, it was disappointing to not see who you allotted time for, but the panel was almost as good as writing, and may only have been lacking in audience questions, which was partially our fault.  Overall, we give this panel a B+.

Editors = “People who do everything else”

At this point in the day, Ben and I snuck away for a quick meeting with some investors.  After an hour on the phone, we hustled back to the convention to join in on the Art Panel, which featured Joe Benitez, Dustin Nyugen, Mike Choi, Ale Garza, Philip Tan, and another gentleman whose name escapes us because we are terrible audience members (maybe Micah Gunnell).  The artist panel was interesting.  It wasn’t bad, but the information presented wasn’t incredibly helpful to Ben (an editor), or I (a writer).  We had hoped that by attending the panel we could learn more about the artistic process, but really only learned about the types of music (or lack thereof) that the artists listen to, what types of pencils and/or inks they use, and what inspires them to work.  The answers to these questions were all case specific and changed artist per artist.  The panel was unhelpful for us, but probably great for fans.  Unfortunately, it felt more like a personal panel interview then a panel about the artistic process — to be fair, I again blame poor audience questions.  B-.

With two out of three panels not delivering what was promised via program, Ben and I made our way to the final event of the day:  Thomas Jane’s premiere of “Give Em Hell Malone.”  We weren’t bitter, but I would be lying if I said we weren’t a little bummed.  We walked into a very empty room at just fifteen minutes or so before showtime to meet Thomas Jane and a couple of his buddies setting up the Playstation 3 that (we assumed) would be gracing us with his latest cinematic adventure.  Unfortunately, after waiting until ten after the scheduled showtime, Thomas Jane announced to less than 100 people that we would not be seeing “Give Em Hell Malone,” but would instead be watching the black and white version of “The Mist.”  Don’t get me wrong, “The Mist” is a great film, but this iced the let-down cake for Ben and I so we trudged off with our heads down and left the rest of the theater to enjoy their time with Mr. Jane.  To be fair, Thomas Jane seemed very bummed that he couldn’t show his film, and Ben and I are sure it wasn’t his fault.  You’re still the sh*t, Thomas — we love you!

Back at our hotel room, Ben and I got all cleaned up and decided to attempt and retake our hopes from the night by attending Mark Waid’s party at our new favorite Long Beach Bar, The Auld Dubliner.  It wasn’t very busy when we got there around 9pm, so we found a table, grabbed some beers and played a game of Scrabble.  By the time the game was over the occupancy had tripled and the band was playing loud.  At one point we were stampeded by a bachelorette party for a young lady who loved to dance.  It was a great night full of drinks, talks, laughs, and eventually, great sleep.

Day 3, here we come…

James and Ben

Greetings all!  Ben and I are writing you now from a rather ghetto Starbucks flanked by a Rite Aid and an Albertson’s in the center of Long Beach, California!

Yesterday was day one of the first ever Long Beach Comic Convention and it was great fun!  The whole thing started off with Ben and I begging our drive at 7:00am, which is the worst time to ever hit the road to go anywhere…  After making our way as far as Orange County, we stopped at Alberto’s in Garden Grove and devoured the best California Burritos either of us has ever had!  Then we meandered up the 22 towards Long Beach…

Long Beach Convention Center

One nice thing about being an “Industry Professional” is that you get to go down to the convention floor three hours before the general public.  We did.  It wasn’t worth it…  With the Convention starting at 3:00pm, there was nothing set up or ready for display at 12:30pm when we got there.  It was a bit of a disappointment, but not one we were willing to let ruin our glorious burrito-aftermath.

Our “Preview” Time…

At three there was a ribbon cutting ceremony with Jeph Loeb, Stan Lee and some politician…  Apparently the county of Los Angeles and the city of Long Beach made yesterday (Oct. 2, 2009), “Stan Lee Day!”  There was a laundry list of accomplishments listed for Stan “changing the face of comics” and his work with The Hero Initiative.  It was a nice start.  Then Stan cut the ribbon and the crowds flooded downstairs…

This guy did something awesome — but we don’t know what.

Jeph Loeb, writer of Batman’s “Long Halloween”

Stan “The Man” Lee

“Excelsior!”

Obviously people had been busy since we last journeyed to the convention floor…  Nintendo had the most impressive area with six wii stations and a very large DS area — not to mention some not-ugly girls walking around putting leis on us…  We got to check out Punch-Out, Super Mario Bros. Wii, and Wii Sports Resort — they were all impressive.

Nintendo — Left

Nintendo — Center

Nintendo — Right

Atomic Comics shared a corner spot with Golden Apple to create the next largest section.  As soon as you walked onto the floor you were greeted by their spokeswoman: Wonder Woman (who was beautiful and gave us a bunch of invites to a party that night…).

Apparently “married” means I get to hold the camera…

While walking around the LBCC one can’t help but over hear people referring to the convention as a “return to comics.”  It’s true.  Even the setup for this convention requires you to walk through the GIGANTIC artist’s alley to get back and forth between the various vendors.  There are no movie studios, toy companies, or people hawking software…  LBCC really does put comic books on a pedestal for the weekend and leaves it at that.  Personally, I can’t help but compare it to the San Diego Comic Con (I’ve been there so many years…), and here’s the best comparison I can give you:  If the San Diego Comic Con is a wild orgy of all things “entertainment” with random people and things touching, feeling and groaning, then the Long Beach Comic Con is a small, candlelight dinner for you and comics.  It’s a softer setting with more intimate opportunities and a much better way to shop, learn and talk with more industry professionals than you could ever try to get at SDCC.  I highly recommend going to both, but for the true aficionado, LBCC is the place to be.

“aficionado” — this guy was soo excited…

So, who did we get to talk to?  Doug Mahnke.  Joe Benitez.  Ruben Martinez.  Joel Gomez.  Lord L Mesa.  R.C. Young.  Brian Haberlin (or at least, the guy at his both who we think was Brian…).  And we literally “bumped” into Thomas Jane, who is much smaller than we thought he’d be, but nonetheless impressive (side note:  go see HUNG now).  I also believe that I offended an talented artist named Oliver Nome.  You see, I don’t know nearly as much about art in comics as Ben.  So, while perusing Oliver’s portfolio, I noticed that one of them had a note reading, “Inked by Rich Friend.”  I asked Oliver why he was advertising his “Wealthy Buddy.”  I think he thought I was making fun of him, when in truth, I had no idea that Richard Friend is a famous inker…  Oops.  Sorry Oliver!

And like all Comic Cons, there were costumes…  Some great.  Some not.  But here are the ones we liked the most (aside from the above featured Wonder Woman):

Shrimps! Shrimps! Shrimps!

HOT Batgirl! …and batman… (and Malcolm X?)

More hot-Batwoman! ..and batman…

SNIKT!

Unenthusiastic Green Lantern

This guy’s awesome! Saw him at SDCC!

Gotham Sirens, minus Catwoman…

After the convention we tried going to the Golden Apple/Atomic Comics party, but it was a bit too loud for us and the drinks were way to expensive ($6.50 for a Heineken), so we made our way to the Auld Dubliner.  It was a great way to end the day and I can guarantee we’ll be there again tonight.  Beer makes everything better…

That’s it from Day One!  We’re on our way now to Day Two, which should prove to be more exciting than the first as it is a Saturday and there are a ton of sessions we’ll be attending.  Until tomorrow morning,

James and Ben