I thought for this week I would try to find the worst musicals of all time. I came across a website that listed the 10 worst and I thought I would share the top five from the worst ten. Why? Well, now we will know what show to run away from. Ladies and gentlemen, these are the best of the worst.
Lets get into it.
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1 CARRIE (1988)
This atrocious adaptation of Stephen King’s novel — taken by the Royal Shakespeare Company to Broadway where it folded after 21 performances — remains the primus inter pares of the musical flop. King’s story of a menstruating schoolgirl with telekenetic powers and a mad religious mother was served up with a ghastly gloop of rock-pop and fake blood. It was hailed as “a resounding mistake” in England and duly went on to be ferociously panned in New York, losing a neat $8 million.
2 WHICH WITCH (1992)
The brainchild of Benedicte Adrian and Ingrid Bjornov — members of Norwegian pop group Dollie Deluxe — this “opera-musical” was a cod 16th-century tale of thwarted passion that culminated in the young Italian heroine being burnt at the stake as a witch. King Harald and Queen Sonja of Norway visited the Piccadilly Theatre to lend their support to “the most heavily panned London stage musical in a generation” — but it folded after 10 weeks. “Flops don’t come much floppier,” said the Telegraph. Nul points.
3 BERNADETTE (1990)
Described as “one of the most bizarre and spectacular failures in London musical theatre history”, the show — naively expected to pack out the Dominion — was based on the story of Bernadette Soubirous, a young peasant girl who had visions of the Virgin Mary at Lourdes in 1858. It was written by a piano-tuner and his wife, financed by readers of the Daily Mirror and an ex-chauffeur and, astoundingly, the Pope blessed the cast. To no avail: it lasted three weeks.
4 THE FIELDS OF AMBROSIA (1996)
A jaunty, taste-free US musical about capital punishment, set in the deep South in 1918. The hero, a state executioner, falls for a German femme fatale he’s due to fry — and eventually sings the finale from his own electric chair. The Daily Mail described it as “the biggest turkey, the floppiest flopperoo, the greatest slice of ham to hit the West End stage in years”. It didn’t last a fortnight.
5 JEEVES (1975)
Even Andrew Lloyd Webber has had his off-days. Riding high after Jesus Christ Superstar and Joseph, the composer turned to Alan Ayckbourn to help bring the comic charm of Jeeves and Wooster to the stage, but the “heavy-handed affair” was denounced as “like a dream of all the Wodehouse novels combined in the ultimate ghastly weekend”. It lasted 38 performances.
— find the entire list here.
These are bad. I mean really really bad. I mean 10 cent hooker bad.
Until next time, keep dancing.
–Admiral Eo